简介：该片讲述了:满仓还是忍不住提了♧刚刚两人吵架的✎♧茬，小嫚儿答应♠以后不瞒着✒他跟天佑对付 德发，☏♣并说了天佑说让大嫚儿回家✎웃的事，但满仓知道天佑✍♠话中的真正含义。囍Scorsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.这片可以和今年上半年☒的《智能大反攻☟♣》对比着看，殊途同归地走♥✕向了对机器/算法控制人类生活的反抗，最✉后的落点一个是家☰庭一个是朋友，很真谛㍿了。✡详情